Some scores are available online (follow link in title). Most others are available by request. Recordings, where available, are linked at the end of each listing.
solos
- stream:streams, for cello and electronics, 10’+ (2021)
- tuning #3, for violin and electronics, 30’+ (2016), recording
- overcoming isometrics, for brass instrument and sine tone, 10’+ (2014)
- rhythm color #1, for vibraphone (optional crotales), 15’+ (2012)
duos
- reservoirs, for 2 or more people, with large glass jars, water, flexible tubing, hydrophones, speakers, sticks, stones, pinecones, bottles, cans, other objects as desired, and software, 10+ (2022), recording
- Baldwin Hills Intonation, two performers and harmonic feedback system, 10′ (2022)
- crosstalk, for two performers and wire system, 10-15′ (2022)
- untitled (tuning series), for violin, cello and electronics, 15’+ (2021), recording
- still life: Olallie Creek, for one or two sustaining instruments and electronics, 11′ (2019), recording
- Morgan and James announce their engagement, for Morgan Gerstmar (viola) and James Klopfleisch (double bass), 5′ (2018)
- tuning #2, for two guitars, 10’+ (2015)
- tuning #1, for two guitars/voices, 10′ (2015)
- groups, no. 2, for viola, cello and electronics, 15’+ (2014)
- groups, no. 1, for two performers with guitar, ping pong ball, coins, 20’+ (2014)
- a round for Andy Young, for two voices, 2’+ (2014)
- words and other forgotten things, for violin and harp, 4′ (2013)
- counting 8-9, for two performers, 10’+ (2013), recording
- counting 1-10, for two performers with 10 instruments, 2 hours+ (2013)
small ensembles (3-6 people)
- diamond rotations, for six mobile and sustaining instruments and electronics, 10’+ (2020), recording
- still life: Ithaca Falls, for alto flute, clarinet, viola, cello, piano and electronics (2020)
- canal(s), for clarinet, violin, cello, piano and electronics, 15′ (2019), recording
- 240 paths through the center, for pan steel orchestra (four performers), 15’+ (2019)
- parallel lines (do not intersect), for string quartet, 12′ (2015), recording
- rhythm color #3, for string quartet, 10’+ (2014), recording
- Asperges Me, for melodic instrument and string trio, 8′ (2012)
large ensembles
- harmonic ecologies, sinfonietta, 12′ (2022)
- rhythm color #2, for chamber orchestra, 8′ (2012)
installations, instruments, acousmatic, extended performance
- study #1 for hydro-clarinet system (2021-2022), preview
- harmonic refractions, interactive installation, 2 channels + sensor (2021)
- streams:suspended, ambisonic fixed media, 12′ (2021)
- chimes system (study #1), for four performers and wire-suspended chimes system, 10’+ (2021), recording
- lattice chains, for two performers and Sound House walls, 10’+ (2018), recording
- Sound House, collaborative performance installation (co-conceived with Janie Geiser, Cassia Streb) for puppets, performers, video, sound (2016-present)
- Something about my Punctuation, for 2-4 people, writing surfaces and sounds (2014, rev. 2018), recording
John Eagle 