Some scores are available online (follow link in title). Most others are available by request. Recordings, where available, are linked at the end of each listing.

solos

  • rhythm color #1, for vibraphone (optional crotales), 15’+ (2012)
  • overcoming isometrics, for brass instrument and sine tone, 10’+ (2014)
  • tuning #3, for violin and electronics, 30’+ (2016), recording
  • untitled, for cello and electronics, 10’+ (2021)

duos

  • counting 1-10, for two performers with 10 instruments, 2 hours+ (2013)
  • counting 8-9, for two performers, 10’+ (2013), recording
  • words and other forgotten things, for violin and harp, 4′ (2013)
  • a round for Andy Young, for two voices, 2’+ (2014)
  • groups, no. 1, for two performers with guitar, ping pong ball, coins, 20’+ (2014)
  • groups, no. 2, for viola, cello and electronics, 15’+ (2014)
  • tuning #1, for two guitars/voices, 10′ (2015)
  • tuning #2, for two guitars, 10’+ (2015)
  • Morgan and James announce their engagement, for Morgan Gerstmar (viola) and James Klopfleisch (double bass), 5′ (2018)
  • still life: Olallie Creek, for one or two sustaining instruments and electronics, 11′ (2019), recording
  • untitled (tuning series), for violin, cello and electronics, 15’+ (2021), recording

small ensembles (3-6 people)

  • Asperges Me, for melodic instrument and string trio, 8′ (2012)
  • rhythm color #3, for string quartet, 10’+ (2014), recording
  • parallel lines (do not intersect), for string quartet, 12′ (2015), recording
  • still life: North Puyallup River Bridge, for bass flute, horn, viola, electric guitar and electronics, 12′ (2018), recording
  • 240 paths through the center, for pan steel orchestra (four performers), 15’+ (2019)
  • canal(s), for clarinet, violin, cello, piano and electronics, 15′ (2019), recording
  • still life: Ithaca Falls, for alto flute, clarinet, viola, cello, piano and electronics (2020)
  • diamond rotations, for six mobile and sustaining instruments and electronics, 10’+ (2020), recording

large ensembles

  • rhythm color #2, for chamber orchestra, 8′ (2012)

new instruments/systems

open works

  • 0, 1 (2), for any two (or multiple of) voices/actions (2013), recording
  • incomplete polyrhythms, a catalog of rhythms realizable in solo or duo (or multiples of 2) configurations (2013, 2014), recording